Why your film looks warm

Why your film looks warm

Color is the last pass, and the one people feel before they notice it.

Wren Takahashi

Written by

Wren Takahashi

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Web

Published

Skin first

We grade for skin tones and let everything else follow.

Warm, not orange

Savannah light is warm on its own. The grade keeps it and stops before it turns orange.

One look per film

Every film gets one look, set on the first day of the edit and kept to the end.

October, 4 Saturdays

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